Read al about this possible new classic, and don’t forget to enter the Giveaway at the end of this posting! (U.S./Can 0nly, Sorry.)
Munich Girl by Phyllis Edgerly Ring
Publisher: Whole Sky Books (November 14, 2015)
Category: Historical Fiction, WWII, Germany, Family Saga
Tour date: Feb 1-Mar 31, 2017
Available in Print & ebook, 356 pages
Description of Munich Girl by Phyllis Edgerly Ring
The Munich Girl: A novel of the legacies that outlast war.
The past may not be done with us. What secrets is a portrait of Eva Braun hiding?
Anna Dahlberg grew up eating dinner under her father’s war-trophy portrait of Eva Braun. Fifty years after the war, she discovers what he never did—that her mother and Hitler’s mistress were friends.
Plunged into the world of the “ordinary” Munich girl who was her mother’s confidante—and a tyrant’s lover—Anna uncovers long-buried secrets and unknown reaches of her heart, to reveal the enduring power of love in the legacies that always outlast war.
Fiction Finalist in 2016 Eric Hoffer Book Awards
Praise for Munich Girl by Phyllis Edgerly Ring
“I was drawn in by Phyllis Ring’s economical and expressive language. Then the story took over! Protagonist Anna Dahlberg must face the emotional fallout from a traumatic plane crash, while simultaneously uncovering the first clues in a shocking generational mystery involving key players in the Third Reich. Everything’s complicated by a new romance that may help her overcome the past and find her true inner strength. But is it real? Love can manifest itself in enigmatic–and unexpected–ways.”- Elizabeth Sims, author and contributing editor at Writer’s Digestmagazine
“… fresh perspective of German women at opposing ends of the warring spectrum … a beautiful story of enduring friendship and the lengths people will go to for love.”- The Stellar Review
“So persuasive is this novel that, before I could believe it was in fact a piece of fiction, I contacted the author and asked where she did her research and where she came up with the idea.”-Leslie Handler, The Philadelphia Inquirer
“This book weaves real life with fiction beautifully and makes you want to know more about the cast of characters. This is a book that you may have a hard time remembering it is fiction as you turn the pages. That’s how well the author brings her characters to life. This book was stunning. I highly recommend it to anyone that loves this time period.”-A Chick Who Reads
“The Munich Girl by Phyllis Edgerly Ring is an elegant historical fiction novel of Eva Braun. Besides being Adolph Hitler’s mistress (and short-lived wife) little is known about this woman in history. Peggy’s diary entries were applied seamlessly blending past with the present. I yearned to enter the streets of 1940s Germany and discover the meaning behind a simple portrait and view the forging of an unlikely friendship. Phyllis Edgerly Ring has written a superbly researched novel of a historical figure whose’ story is impeccably told.”-Whitney, First Impression Reviews
The Munich Girl is a drama created with the same type of format as Dr. Zhivago. It is a well-written interesting tale of “what could have been” episode from the aftermath times of World War 11. It is, also, about a dysfunctional marriage with a very insecure wife, yet one willing to sacrifice her own needs in support of her husband.
This is a tale many women will relate with. It is about discovery, tragedy, romance and intrigue. The Title and Cover are both a well chosen “fit”. The scenes were depicted quite well and the characters described in a way one can picture them.
Although described well, I felt unable to connect with them, nor their experiences. The “flow” of the book was interrupted a few times and occasionally lacked sufficient detail. If you were a fan of Dr. Zhivago, you will probably enjoy this account, as well. It lacked the energy I need in an excellent read.
I offer a Three Stars rating.
This book was sent as a gift. I am not expected to offer a positive review. This is my honest review.
Why is writing a form of personal therapy for me? Probably because the sense of mystery that it invites me to explore always leads me to inspiring discoveries, and a greater sense of wholeness.
Nine years ago, I made a bid on an eBay item that would change my life in ways I couldn’t have imagined at the time. Something within me was strongly drawn toward it, though I didn’t yet understand why. It was a portrait of Eva Braun drawn by an artist who never gained acclaim for his work — though his infamous name is branded on history forever. Eva Braun chose to die with him 72 years ago this spring.
That portrait is at the heart of everything that became a part of my latest novel’s story, set largely in the Germany of World War II. The experience of writing The Munich Girl showed me that, rather than being something I “do”, writing is a process that acts upon me, strengthening my sense of connection with my own wholeness. My responsibility is to listen and watch, rather than impose ideas or plans of my own on what comes forth as a story.
Creative process invites me to find a balance between my intuitive mind, which encounters the unlimited and unknown, and my rational mind, whose structuring kind of perception helps a story be both cohesive and accessible. People often hurl themselves at creative process “head first” with the rational mind, trying to force or control things. My experience is that in creative process, intuitive mind is waiting for me to meet it, so that it can help me know and understand in new and wider ways.
Gertrude Stein expressed this beautifully: “You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery.” She gets straight to the heart of what allows writing process to be a revelatory power, and a bestower, rather than a distraction or plaything. The difference is a willing surrender into seeking and unknowing, rather than a presumed knowledge of any kind.
I know I’m immersed in that when things begin to strike with notes my inner ear can hear, when my crown and scalp suddenly tingle. But first, I must surrender to a great blankness that can seem as though it will never yield, no matter how I push or try to break through it. And that is because I’m the one who’s meant to do the yielding, so that intuitive mind can impart its secrets to me.
This was reinforced for me one afternoon while I swam with a friend, and recognized that in order to swim, I must meet the water on its terms. I must yield to and merge with the way it envelops and supports me.
On the pathway that the portrait of Eva Braun opened before me, every aspect of the story in The Munich Girl, every theme, revelation, and scene, came to meet me in a similar way when I was ready to receive it, after I had immersed myself in its atmosphere and waited, listening, watching. Trusting.
Believing that I “know” anything about a story before it has fully shown itself is the only “writer’s block” I’ve ever created for myself. When I yield to and receive what intuitive mind wants to offer in the creative process, I am met by what I’m able to receive and integrate on the deepest levels.
I’ve come to believe that the rational mind serves best when it’s not trying to lead, or force, but to follow, when we’re seeking to discover what we don’t yet know. When we are willing to do that, the revelations that arrive via our intuitive mind will often surprise and delight us, both because they feel so inevitable, and also because they are beyond anything that rational mind, whose scope is confined only to previous experience, could imagine or predict.
The luscious magic in the process is that when we open up to meeting the greater possibilities of what we don’t yet know, we’ll be repeatedly astonished that what comes to meet us is disarmingly precise, unfathomably generous, and remarkably right.
About Phyllis Edgerly Ring
Author Phyllis Edgerly Ring lives in New England and returns as often as she can to her childhood home in Germany. Her years there left her with a deep desire to understand the experience of Germans during the Second World War. She has studied plant sciences and ecology, worked as a nurse, been a magazine writer and editor, taught English to kindergartners in China, and served as program director at a Baha’i conference center in Maine.
She is also author of the novel, Snow Fence Road, and the inspirational nonfiction, Life at First Sight: Finding the Divine in the Details. Her book for children, Jamila Does Not Want a Bat in Her House, is scheduled for release by Bellwood Press in early 2017.
Twitter: http:// www.twitter.com/phyllisring
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